Yale Art History

For six centuries, history painting—pictures based on stories from myth, scripture, and ancient and modern history—was the most prestigious work a painter could do. Renaissance artists and writers laid down the definitions, goals, and rules. We outline these and look at many examples of how they changed as pictorial narrative evolved until its eclipse in the 19th century.

Free12 lessons12h 14mIntermediate

by Lloyd Meadhbh

January 2016

Checked 4 days ago

What you'll learn

  • 1, Introduction to History Painting
  • 3, Darkness to Light: Garofalo's The Conversion of Saint Paul
  • 4, "But, Lord, He Stinketh!": Marco Pino's The Resurrection of Lazarus
  • 6, "To Paint the Way the Spartans Spoke": Gavin Hamilton's The Death of Lucretia
  • 7, Benjamin West's Agrippina Landing at Brundisium with the Ashes of Germanicus
  • 9, Find the Hero: Ary Scheffer's The Retreat of Napoleon's Army from Russia in 1812 (1826
  • 10, Handwriting on the Wall: John Martin's Belshazzar's Feast (1820
  • 12, History Painting after Two World Wars: Anselm Kiefer's Die Ungeborenen

Taken from the course's own lessons, in the author's words.

Free

This course is free and published on YouTube. The channel is its author; we organise it and check that the videos still play.

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This course includes

  • 12h 14m of video
  • 12 lessons
  • Level: Intermediate
  • Spoken in English
  • Your place is remembered
  • Free in full, no card

Lessons

2 sections · 12 lessons · 12h 14m total length

What you need

  • Some grounding helps; this one picks up past the basics.

Description

For six centuries, history painting—pictures based on stories from myth, scripture, and ancient and modern history—was the most prestigious work a painter could do. Renaissance artists and writers laid down the definitions, goals, and rules. We outline these and look at many examples of how they changed as pictorial narrative evolved until its eclipse in the 19th century.

Who this course is for

  • People who know the basics of Humanities and want to go further.

Those two are our reading of the course's level. The description is the author's own.

Picked on Temu

Yale Art History, by Lloyd Meadhbh